Through Victoriano’s practice as a painter, he explores the relationship between a subject’s identity and the uncanny; his work derives from the ideology of graffiti writing and its custom to stay hidden and to keep ones identity cloaked. The subjects he paints have no true face and are fused with elements of form, color, and symbolism, to evoke the mystical.
“I don’t paint to live, I live to paint.” — Willem De Kooning
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